Two pieces of many

April 20th, 2010 by Andrew

Post-production on Discouraging Words is get­ting crazy (in a good way?) because I need to have a screener done by the sev­enth of May. Here’s where I with­draw into my hole and become an anti­so­cial her­mit until the movie is fin­ished, so if you send me an e-mail or Facebook mes­sage or the like, don’t expect to nec­es­sar­ily get a reply. Ever. Fair warning—that’s just the way I roll.

Anyway, here are two things that you might find inter­est­ing. First, a frame from some news graph­ics I’m cur­rently ren­der­ing out:

Jesse Griffith and Lawrence Levesque as cable news pundits

And here is an actual scene, pre­sented in its entirety: Read the rest of this entry »

Save the date: Discouraging Words in Wyoming!

April 10th, 2010 by Andrew

Cheyenne International Film Festival - Saturday, May 22, 9:30AM - Atlas Theater, Cheyenne, WY - $10

No sense in keep­ing a lid on this any­more… Read the rest of this entry »

I am either proud or disgraced

April 8th, 2010 by Andrew

Many years ago, back when I was first mak­ing films with any seri­ous­ness, I helped to make a short film enti­tled RRRR. I did not write it, nor did I direct it. The movie was—quite intentionally—relevant to noth­ing. The only com­ment it received on YouTube was “not funny.”

The cen­tral (only?) point of the movie was that you couldn’t play the word ‘RRRR’ in Scrabble.

…until this week, when Mattel announced a new ver­sion of Scrabble that allows the use of proper nouns. Since RRRR is the title of the film, it is a proper noun and there­fore a playable Scrabble word!

I’m so, so sorry.

Powerful Magics

March 5th, 2010 by Andrew

Context:

Content:

Analysis:

Dear God, he’s finally done it. This is a film steeped so heav­ily in self-referential in-jokes that even though it’s appar­ently (and dis­turbingly) about me, I can’t under­stand it. It is pos­si­ble that this is no longer a film, but some dif­fer­ent and hereto­fore undis­cov­ered form of com­mu­ni­ca­tion. I feel as though I am watch­ing the end of 2001 : A Space Odyssey for the first time, on a screen the size of the uni­verse itself.

This is some of the most aston­ish­ing edit­ing I’ve ever seen to come out of Vvinni’s mind, and I think we can safely say that as this project con­tin­ues, the dis­patches become smarter, bet­ter and more com­plex. Vvinni here demon­strates an uncanny abil­ity to parse and decon­struct my pre­vi­ous mes­sage, all while build­ing it into a post-post-postmodern pho­to­graph on the back of a milk car­ton. The epi­logue that labels me “miss­ing” is par­tic­u­larly chill­ing, and leaves me feel­ing as though I actu­ally have gone miss­ing under mys­te­ri­ous circumstances.

I fear I may have been bested here, I’m not sure if I’m capa­ble of craft­ing an ade­quate response, but I will try. Speaking strate­gi­cally, my pre­vi­ous dis­patches have been an attempt to ape Vvinni’s style and beat him at his own game. It’s obvi­ous that he is capa­ble on that front beyond my wildest imag­i­na­tion, and so per­haps it is time to return to my old friends, min­i­mal­ism and nar­ra­tive. We shall see what comes next.

Additional Context:


Think fast, think fast…

February 18th, 2010 by Andrew

The Tracking Transience guy is in the MCAD park­ing lot right now—if you hurry, you might catch him!

Analog curiosities

February 9th, 2010 by Andrew

Last sum­mer, after wrap­ping prin­ci­pal pho­tog­ra­phy on Discouraging Words, Vvinni and I (with the help of Evan) shot a bunch of footage on VHS tape about a supremely anti­so­cial übermen­sch named Plastix Ultimate. Back in August I shared an ad for Skin Removal Cream that Vvinni had cut from the footage. Now, here’s some­thing else:

This ultra-condensed ver­sion of the nar­ra­tive we shot was cre­ated for the “Foot in the Door 4″ show at the Minneapolis Institute of Arts and leaves out a few key plot points, but I think it cap­tures the over­all fla­vor of the piece.

Second, here’s this:

What I really love about this cam­era (a Panasonic Color TV Camera WV-3320) is the ana­log smearing—ghost trails and lin­ger­ing burn-in left by bright high­lights trav­el­ing across the frame. I real­ize that I prob­a­bly only have a lim­ited num­ber of usage hours on this thing before one of the tubes burns out (these are frag­ile com­po­nents that have been work­ing for over 30 years, after all), so I have to fig­ure out some­thing really good to do with it. I think maybe I’d like to use it to make a music video.

So if you’re an extra­or­di­nar­ily tal­ented musi­cian and you want me to make a music video for you using this cam­era, drop me a line.

Culling old notebooks

February 3rd, 2010 by Andrew

I recently stum­bled upon some­thing I wrote about two years ago. I’m not sure if it’s a short story or a poem, but I like it:

You asked me a ques­tion tonight.
You said, “Do you really mean that?“
Well
let me answer that ques­tion with another ques­tion:
Do you really want to know?