Archive for the ‘Exploding Shorts’ Category

My press junket: Discussing politics and performance in Third Party ’08 and Discouraging Words

Friday, November 20th, 2009 by Andrew

Here I am being sur­pris­ingly artic­u­late and self-effacing (if I do say so myself) while dis­cussing pol­i­tics, per­for­mance and other things related to Third Party ’08 and Discouraging Words with Lawrence Levesque on the TV show Student Short Films:

Also on this episode is a very funny short film by Clifton Archuleta called The Company Man.

Skin Removal Cream!

Tuesday, August 11th, 2009 by Andrew

You can really taste the pepper!

High-definition experiments

Tuesday, June 2nd, 2009 by Andrew

I’ve got two shorts here for you, both try­ing out YouTube’s HD fea­ture (click the ‘HD’ but­ton to watch in 720p!)

The first is a short piece of direct cin­ema called Desperation Sonata. A cou­ple months ago I was doing a low-light cam­era test in the MCAD stu­dent cen­ter late at night, when the halt­ing strains of Moonlight Sonata began echo­ing around the room and the whole thing turned into a doc­u­men­tary in the style of Frederick Wiseman or Béla Tarr:

The sec­ond is a silent exper­i­men­tal short I made a cou­ple years ago called Mind/Body, play­ing with the rela­tion­ship between pos­i­tive and negative—and on a more the­o­ret­i­cal level, the sep­a­ra­tion between the phys­i­cal and men­tal world. This was my excuse for learn­ing how to smash open Super8 car­tridges with a rock and process the film by hand:

Also, I’d like to point you once again to Exploding Goldfish’s YouTube chan­nel, which is finally going to get some use now that they do HD and don’t have a weekly upload cap like Vimeo (now if only they’d let me replace exist­ing videos with newer ver­sions I could go back and re-upload all my old videos in HD).

Director’s Pass: The Ultimate Challenge (part 2)

Tuesday, March 24th, 2009 by Andrew

Yesterday, we shot in a news stu­dio! It was very cool and the footage looked awe­some! Incidentally, this sta­tion, KSTP-TV, was the first full-color tele­vi­sion sta­tion in the coun­try, way back in 1961. Now they’re mak­ing the tran­si­tion to high definition.

This all came about because The Ultimate Challenge calls for a news stu­dio loca­tion, and I fig­ured that before I ulti­mately gave up and attempted to fake one, I should do my due dili­gence and send out a shot­gun blast of e-mails to all the TV sta­tions in the city, fully expect­ing never to hear back from them. Surprisingly, an incred­i­bly nice woman who is the oper­a­tions man­ager for KSTP got in touch with me and said that we could indeed shoot in their stu­dio. Fox turned me down—just sayin’. (And KARE, whose call let­ters indi­cate that they should be the nice ones, com­pletely ignored me.)

But it’s all for the bet­ter, because of a really beau­ti­ful coin­ci­dence. My fic­tional news sta­tion moniker of choice is Eyewitness 2 News, sim­ply because it’s generic while sound­ing spe­cific (the phrase “Eyewitness News” is in wide­spread use and there­fore can­not be trade­marked), and guess what?

Don Peterson as Eddie, news director

Don Peterson as Eddie, news director

That’s what: giant metal signs read­ing “Eyewitness News” all over the place in the stu­dio. Also, only one piece of trade­marked sig­nage for us to avoid, and no copy­righted images printed on the back­drops. I can’t think of a more ideal loca­tion any­where else in the world.

Kathryn Criston (director of photography)

Kathryn Criston (direc­tor of photography)

A brief bit of geekery:The stu­dio is set up pretty much as expected (three-camera setup on the news desk), but I did take note of a few things: The over­head light­ing is a mix­ture of tung­sten and photo-flo fix­tures. The tung­sten fix­tures seem to be pre­dom­i­nately Baby Moles. There are two PC work­sta­tions set up so their screens are vis­i­ble through the glass-topped desk, and a laser printer is posi­tioned a few feet behind the desk for easy access. The back­drop is com­posed of an array of func­tion­ing video screens dis­played behind a dif­fu­sion screen. My favorite, though, were the card­board cutouts of video patch bays installed at the top of the set (to help it look more high-tech?)

Andrew Gingerich (director) and Matt Kane (excelsior grip)

Andrew Gingerich (direc­tor) and Matt Kane (excel­sior grip)

The sec­ond half of the day was spent in abject mis­ery on the pala­tial estate of a cycling cham­pion. I wore trash bags inside my shoes and the weather was a bad prob­lem. I don’t want to talk about it.

Sincerely yours (with much grat­i­tude),
Andrew Gingerich

Out the Window: Hello World!

Saturday, November 8th, 2008 by Andrew

I just got my trans­fers back from Cinelicious today, and man are they ever gor­geous! Take a look at these two shots:


Out the Window: Hello World from Andrew Gingerich on Vimeo.

Of course, now I have to sync all this stuff, which is kind of a prob­lem because we decided not to slate in order to save film. Kinda stu­pid, but we prob­a­bly saved about 20 feet of stock. Anyway, it makes it a bit of an ordeal to get all the sound in sync with the pic­ture. *WEEKEND PROJECT #1*

Third Party ’08

Wednesday, November 5th, 2008 by Andrew

Here it is on Vimeo (click the “HD” but­ton to watch in 720p):


Third Party ’08 from Andrew Gingerich on Vimeo.

Or if you pre­fer, click here for a direct-link QuickTime.

Peace,
Andrew

Election night: all’s well that ends RED

Wednesday, November 5th, 2008 by Andrew

BARACK OBAMA IS YOUR NEW PRESIDENT.

One thing I’ve learned about the RED is that its files are enor­mous, and debay­er­ing the RAW footage takes all kinds of for­ever to do. That being said:

THIRD PARTY ’08: THE TRUE STORY OF THE PRESIDENT OF KANSAS

or

STROBE JENSEN: A MAN OF GREAT PRINCIPLE

or

HOPE, SUCCESS AND RESPONSIBILITY FOR THE FUTURE

or

HONEY, I THREW THE ELECTION

…is pic­ture LOCKED, and first-lighted, and the online con­form and sound mix are in progress as we speak. Because of the processor-intensive debay­er­ing, I am fore­cast­ing a 4:30 AM CST pre­miere of the thing.

In the mean­time, here’s a lit­tle bit about the film:

Third Party ’08 stars the incom­pa­ra­ble Jim Westcott as third-party pres­i­den­tial can­di­date Roger Deerborn, the incom­press­ible Jesse Griffith as Deerborn’s chief strate­gist, and the incom­pre­hen­si­ble Landyn Banx as Strobe Jensen—a man of great con­science, and Deerborn’s unpre­dictable run­ning mate. Also fea­tured are Anne Westcott as Deerborn’s ide­al­is­tic daugh­ter, Melissa Hoppe as an inex­pe­ri­enced pub­lic radio reporter, and Heather Amos as Deerborn’s politely mis­an­thropic press sec­re­tary. The film fol­lows the char­ac­ters through elec­tion night 2008 as their mar­gin drops from 0% to 0.0% to 0.00%.

It was writ­ten by myself and Matt Kane. I directed. Matt did the cin­e­matog­ra­phy. We were the only crew members.

The film was shot at 3K res­o­lu­tion on the RED ONE dig­i­tal cin­ema cam­era, with a set of very nice Zeiss prime lenses. We did not pay for the cam­era. Our pro­duc­tion bud­get for the entire film was approx­i­mately $25.

Stay tuned to this chan­nel, folks. It won’t be long now.

UPDATE: It’s late and I’m going to bed. Movie is com­press­ing now and will be posted in the morning.